The short version
Animation is the medium. Communication is the product. The audience never grades the interpolation.
What is really going on
Viewers decide within two seconds whether a piece is for them. Complexity in those two seconds reads as noise.
Every extra element competes for the same attention budget, so adding craft can actively reduce comprehension.
Work that communicates cleanly survives translation, cropping and sound-off playback — the three conditions most films actually face.
How to handle it
Test the piece muted, at phone size, at 50% attention. That is the real viewing condition.
Remove one element per revision round instead of adding one.
Judge each shot by what the viewer now knows that they did not know a second earlier.
The takeaway
If the message survives the removal of the effects, the effects were doing their job. If it does not, they were the job.
